I was just reading through some old Batman comics (and not co-incidentally just found the artist, rwagnerus, on tumblr) and had to post this great little bit of story-telling. 

The scene starts here, by the way. We don’t see the location of the car or Batman before the reveal as pictured.

I love me a good old fashioned Batman interrogation and this was a cool little sequence.

Remind me to dig out the “morgue drawer” scene from Graham Nolan back in the 90s later on.

Ron Wagner Batman Legends of the dark Knight artists on tumblr Comics DC comics

Anonymous asked:

Can you offer any tips for breaking into science communication?

- Mr Bav - Answer:



Kick down the door and shout “I’M HERE.”

Generally, things you do not actually need to get into science communication:

  • a PhD
  • a degree in science communication
  • journalism credentials
  • permission

Things you need to get into science communication:

  • scientific background (can be self-acquired to quite an extent; most scientists do the bulk of their learning after undergrad anyway)
  • communication skills (can be improved/learned/acquired/faked, but only bother doing sci comm if you actually like doing it)
  • a wee droplet of charisma
  • a personality that takes rejection and either goes “eh, I can work on this/with this” or “fine, then I’ll build a doomsday machine and you’ll be sorry”
  • ability to find and reach your audience
  • MOXIE.

The moxie/charisma thing is because you have to put it out there. It’s just like writing a novel, or performing any other writing. You can’t sit on your butt, going “Ugh, I’m good at science and communication, but nobody has kicked down my door offering me stuff and a TV deal.” You have to go up to people, your heart in your throat, and say “Give me stuff! Pay attention to me.” You have to enter science writing contests. You have to put stuff on the internet. You have to be okay with people hating it. This is seriously difficult, and if you don’t think you’d like it, you’ll have to work out a way to make scicomm work for you.

I am really lucky in that I live in a place and time where standup science comedy is a thing, so one prong of my scicomm life is how I got into that. First I asked a friend to include me in her act; then I discovered that I loved doing it; then I became an organizer. I’m not sure how; I think it’s because I just kept showing up until it would have been weird to get rid of me.

I just did a lovely set last night at a packed gig. It’s always amazing to see People Whom You Know From The Internet laughing in person, because they think you’re funny and great and worth seeing. It’s always great when people come up to you at intermissions and tell you that you’re inspiring. It’s great when a scientist in a particular field tells you “YOU GET MY FIELD!!” 

I don’t have a PhD. I don’t have permission. I have stood in the hallowed halls of the Royal Society where I was invited to talk gibberish about gene regulation and swear like a motherfucker, and I did just that. I have sassed the science editor of the Guardian and deeply confused Robin Ince. I am not really getting paid for this, but sometimes people tell me that they like my work.

Break into science communication the same way that people like us have to break into anything: with a hammer and a terrifying warcry, ready to kick a hole in the fabric of reality to get to where we need to be.

Just cross out the words “science communication” and fill in any career field you want.

go for it




1) The Little Mermaid pencil test by Glen Keane   via diehard-disney

2) Tangled pencil test by Glen Keane   via diehard-disney

3) Aladdin pencil test   via diehard-disney

4) Sleeping Beauty pencil test by Marc Davis   via diehard-disney

5) 101 Dalmatians pencil test   via diehard-disney

6) Xeroxes of Frank Thomas pencil animation for Pinocchio

(Via: Michael Sporn & The Illusion of Life: Disney Animation)  via the-disney-elite

7) Peter Pan pencil test by Milt Kahl   via diehard-disney

8) The Jungle Book pencil test   via diehard-disney

9) The Rescuers pencil test by Ollie Johnston   via diehard-disney

10) Alice in Wonderland pencil test by Milt Kahl   via diehard-disney

Amazing animation cycles!

"When sex becomes a production or performance that is when it loses its value. Be mutual. Be loud. Be clumsy. Make noises, be quiet, and make a mess. Bite, scratch, push, pull, hold, thrust. Remove pressure from the moment. Love the moment. Embrace it. Enjoy your body; enjoy your partners’ body. Produce sweat, be natural, entice your senses, give into pleasure. Bump heads, miss when you kiss, laugh when it happens. Speak words, speak with your body, speak to their soul. Touch their skin, kiss their goose bumps, and play with their hair. Scream, beg, whimper, sigh, let your toes curl, lose yourself. Chase your breath; keep the lights on, watch their eyes when they explode. Forget worrying about extra skin, sizes of parts and things that are meaningless. Save the expectations, take each second as it comes. Smear your make up, mess up your hair, rid your masculinity, and lose your ego. Detonate together, collapse together, and melt into each other."
- (via onedirtydiamond)